Average Reviews:
(More customer reviews)I had a 30-year-old, top-of-line Marantz that gave up the ghost altogether after the internal lights started fading. Much as I liked it, the cost of repair was considerably higher than this Onkyo (the internet lists plenty of repair places to send units like the Marantz to), and I no longer use my stereo nearly as much as I used to (I wonder how often the surround-sound, 5-speaker audiophiles actually remain seated in their sonic cocoons).
Anyone with experience with audio knows that manufacturer wattage claims are variable, often essentially meaningless, even when listed as RMS, and that 50 watts is more than adequate for all but the most low-efficiency speakers (Acoustic Research, Bose). So I decided to forego the extra pound and a half and save a few bucks, because the features are practically identical with the 100 watt Onkyo. The latter has a few additional frills (brightness dimmer, effects bypass, FM character naming) along with provisions on back for a studio geek to plug in 3 addition pieces of equipment.
Both Onkyos have a convenient volume knob, but I miss the other knobs and the gyroscope tuning, which was more accurate than digital tuning. Also, the Marantz had a third, mid-range tone control (useful for bringing out vocals), both a loudness and a volume control, and numerous filters that were useful for "smoothing-out" the sound of some old LP records. The handiest feature of the Marantz was two additional phone plug inputs on the front of the machine, intended for plugging in tape recorders for dubbing or musical instruments for recording and monitoring. Most of us don't place units such as this in cabinets where it's convenient or even practical to plug and unplug other equipment to the rear of the machine on a continual basis. And as is the case with most Japanese manufacturers, including Sony, the machine is not actually assembled in Japan (try Malaysia).
The biggest annoyance of both this receiver and the more powerful one is an ill-conceived switch that doubles as both an input and a tape monitor switch. You must avoid even touching the switch (more difficult than it sounds) or you'll activate the monitor function and mute all devices connected to the receiver. (I even placed temporary masking tape over the switch to "quarantine" it from my fingers.) Nevertheless, the 8222 is a fine performer and a top brand (I don't recall ever seeing Onkyo producing cheap, low-end product and catering to the masses, as is frequently the case with Sony and Panasonic). But I'm hanging on to the Marantz in case I decide to get cash-careless and go all-out retro.
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Onkyo 50 Watt Stereo Receiver TX8222
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